Song of Solomon 2:17
A focused desk for reading, commentary, cross-references, original language notes, and your own observations.
Song of Solomon 2:17
17 Until the day break, and the shadows flee away, turn, my beloved, and be thou like a roe or a young hart upon the mountains of Bether.
Chapter Context
Song of Solomon 2 is a poetic love song chapter in the Old Testament that explores themes of love, truth. Written during Solomon's reign (c. 970-930 BCE), this chapter should be understood within its historical context: Ancient Near Eastern love poetry often used agricultural and royal imagery.
The chapter can be divided into several sections:
- Verses 1-5: Introduction and setting the context
- Verses 6-12: Development of key themes
- Verses 13-17: Central message and teachings
This chapter is significant because it provides guidance for worship and spiritual devotion. When studying this passage, it's important to consider both its immediate context within Song of Solomon and its broader place in the scriptural canon.
Verse Study
Song of Solomon 2:17
17 Until the day break, and the shadows flee away, turn, my beloved, and be thou like a roe or a young hart upon the mountains of Bether.
Analysis
Until the day break, and the shadows flee away, turn, my beloved, and be thou like a roe or a young hart upon the mountains of Bether. The bride appeals for her beloved's presence until morning comes. The Hebrew ad sheyafuach hayom venasu hatselalim sov demeh-lekha dodi litsebi o le-ofer ha-ayalim al-harei bater (עַד שֶׁיָּפוּחַ הַיּוֹם וְנָסוּ הַצְּלָלִים סֹב דְּמֵה־לְךָ דוֹדִי לִצְבִי אוֹ לְעֹפֶר הָאַיָּלִים עַל־הָרֵי בָתֶר) blends longing, urgency, and sensual imagery.
"Until the day break" (ad sheyafuach hayom) literally means "until the day breathes" or "blows"—the morning breeze that dispels night. "The shadows flee away" (venasu hatselalim) describes darkness retreating before dawn. Night represents separation, shadows symbolize obstacles. The bride desires her beloved's presence throughout the night until dawn reunites them fully. This temporal imagery gains eschatological significance: believers await Christ's return when "the shadows flee away" and we see "face to face" (1 Corinthians 13:12).
"Turn, my beloved" (sov dodi) invites responsive movement—come to me, turn toward me. The comparison to "roe or young hart" (litsebi o le-ofer ha-ayalim) emphasizes grace, strength, swiftness, and vigor. The gazelle (tsebi) and young stag (ofer ayalim) were proverbially swift and sure-footed on mountains (2 Samuel 2:18, Proverbs 6:5). "Mountains of Bether" (harei bater) likely means "mountains of separation" or "rugged mountains"—geography emphasizing distance overcome by love. Christ leaps over every barrier (2:8) to reach His beloved, demonstrating His pursuing grace (Luke 19:10).
Historical Context
This verse concludes a section where the bride searches for her beloved (2:8-17). Ancient Near Eastern love poetry commonly employed night/day, darkness/light symbolism to represent separation/union. The gazelle and deer were native to ancient Israel's hill country, familiar sights conveying beauty and agility. Mountains represented both obstacle and opportunity—barriers requiring effort but offering vantage points. The bride's appeal reflects cultural norms where women's mobility was restricted, especially at night, so she invites her beloved to come to her. This section anticipates themes developed in chapter 3 where she actively searches the city for him.
Reflection
- How does "until the day break and the shadows flee away" point toward Christ's return when all separation and darkness end?
- What spiritual barriers or "mountains of separation" does Christ overcome to pursue and secure His bride, the church?
- How should longing for Christ's presence and return shape daily Christian life and affections?
Cross-References
- Related: Song of Solomon 4:6